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	<title>Dallas VideoFest</title>
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	<link>http://videofest.org</link>
	<description>At the Dallas Museum of art</description>
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		<title>TIFN Screening: SEARCHING FOR SONNY</title>
		<link>http://videofest.org/searching-for-sonny-2/</link>
		<comments>http://videofest.org/searching-for-sonny-2/#comments</comments>
		<pubDate>Thu, 09 Aug 2012 13:17:12 +0000</pubDate>
		<dc:creator>Rchapa</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Angelika Dallas]]></category>
		<category><![CDATA[filmmakers]]></category>
		<category><![CDATA[Texas]]></category>

		<guid isPermaLink="false">http://www.videofest.org/?p=1931</guid>
		<description><![CDATA[August 20, 2012 Location: Angelika Film Center—Dallas Time: 7:30 p.m. SEARCHING FOR SONNY We’ve joined the Texas Independent Film Network and the Angelika Film Center to present a series of Texas-made indie films screened with the filmmakers in attendance. Each month, Starting in August, we will show one of four films that are traveling to [...]]]></description>
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<h4>August 20, 2012</h4>
<p>Location: Angelika Film Center—Dallas<br />
Time: 7:30 p.m.</p>
<div><img src="http://www.dallasfilm.org/wp-content/uploads/2012/08/thegang2x350.png" alt="SEARCHING FOR SONNY" /><strong>SEARCHING FOR SONNY</strong></div>
<p>We’ve joined the Texas Independent Film Network and the Angelika Film Center to present a series of Texas-made indie films screened with the filmmakers in attendance.</p>
<p>Each month, Starting in August, we will show one of four films that are traveling to cities throughout the state to promote Texas Film and to expose new audiences to some of the states most talented directors, producers and talent. It’s a great chance to support local film, meet the filmmakers and discuss filmmaking in Texas.</p>
<p>The screenings are $10 and open to the public. We have limited free seats available for DFS Members who show their membership card at the theater.</p>
<h2>SEARCHING FOR SONNY</h2>
<p>With Director Andrew Disney in attendance.</p>
<p>When directionless twenty-something Elliot Knight attends his 10-year reunion in Texas, a complex murder mystery leads his crew of high school pals on a mission to find their missing friend, Sonny. Elliot enlists the help of his fraternal twin Calvin, a pot-smoking barista, his timorous former classmate Gary Noble, and his high school sweetheart Eden Mercer.</p>
<p>While digging up a forgotten time capsule, the friends discover the body of Eden’s husband, and find themselves the chief suspects in his murder. The mystery turns meta when the three bumbling friends discover that everything happening seems eerily similar to a play they performed in high school — a play Sonny wrote. Deception leads to problems, and it soon seems that shady businessmen and school officials are involved in a complex scheme of money and murder.</p>
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		<title>Texas Stars, Boots &amp; BBQ</title>
		<link>http://videofest.org/texas-stars-boots-bbq/</link>
		<comments>http://videofest.org/texas-stars-boots-bbq/#comments</comments>
		<pubDate>Wed, 08 Aug 2012 17:17:45 +0000</pubDate>
		<dc:creator>Rchapa</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Texas]]></category>

		<guid isPermaLink="false">http://www.videofest.org/?p=1926</guid>
		<description><![CDATA[Talent Show / Fundraiser for Scholarships  Dallas, Texas- August 7, 2012 - OCCA Presents the Texas Stars, Boots, &#38; BBQ fundraiser featuring Big D&#8217;s Big Shots &#38; Showoffs including elected officials and community leaders. The talent show/fundraiser will be held on Saturday, August 25th at JD&#8217;s BBQ &#38; Grill, located at 305 Centre Street in Dallas.  The event [...]]]></description>
			<content:encoded><![CDATA[<div><strong>Talent Show / Fundraiser for Scholarships</strong><img src="http://ih.constantcontact.com/fs043/1109357295533/img/16.jpg" alt="scholarshipscap" name="13907450e4ac50dc_ACCOUNT.IMAGE.16" width="125" height="85" align="right" border="0" hspace="5" vspace="5" />  Dallas, Texas<strong>- August 7, 2012 -</strong> OCCA Presents the Texas Stars, Boots, &amp; BBQ fundraiser featuring Big D&#8217;s Big Shots &amp; Showoffs including elected officials and community leaders. The talent show/fundraiser will be held on Saturday, August 25th at JD&#8217;s BBQ &amp; Grill, located at 305 Centre Street in Dallas.  The event starts at 5pm with a Social Hour and Silent Auction, followed by the talent show at 7pm.  The awards, silent auction results and Boot-Scooting Boogie dance start at 8pm.  Big D&#8217;s Big Shots &amp; Show-offs are helping OCCA raise funds for scholarships.  The tickets are on sale for $25 per person or $40 per couple, students and child tickets are only $5. For more information contact OCCA at <a href="tel:972-900-1630" target="_blank">972-900-1630</a>.</p>
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		<title>JEMGLO Receives Cash Award for Delicious Peace Film</title>
		<link>http://videofest.org/jemglo-receives-cash-award-for-delicious-peace-film/</link>
		<comments>http://videofest.org/jemglo-receives-cash-award-for-delicious-peace-film/#comments</comments>
		<pubDate>Wed, 01 Aug 2012 15:38:09 +0000</pubDate>
		<dc:creator>Rchapa</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Curt Fissel]]></category>
		<category><![CDATA[Pittsburgh Jewish Film Forum]]></category>
		<category><![CDATA[Robinson International Short Film Competition]]></category>

		<guid isPermaLink="false">http://www.videofest.org/?p=1898</guid>
		<description><![CDATA[JEMGLO Receives Cash Award for Delicious Peace Film JEMGLO is very proud to have received the Second Place Kesef Award at the first-ever Robinson International Short Film Competition, part of the Pittsburgh Jewish Film Forum, held on May 1st. &#160; The competition was organized to honor the memory of Pittsburgh filmmaker Sanford (Shad) N. Robinson, Sr. Over [...]]]></description>
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<td rowspan="1" colspan="1" align="left" bgcolor="#FFA500" width="99%"><strong>JEMGLO Receives Cash Award for <em>Delicious Peace</em> Film<br />
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<p>JEMGLO is very proud to have received the Second Place Kesef Award at the first-ever Robinson International Short Film Competition, part of the <img src="http://ih.constantcontact.com/fs048/1101767955367/img/116.jpg" alt="" name="138e246e34f99778_ACCOUNT.IMAGE.116" width="100" height="133" align="right" border="0" hspace="5" vspace="5" /> Pittsburgh Jewish Film Forum, held on May 1st.</p>
<p>&nbsp;</p>
<p>The competition was organized to honor the memory of Pittsburgh filmmaker Sanford (Shad) N. Robinson, Sr. Over two dozen films from around the world were submitted &#8212; including JEMGLO&#8217;s <em>Delicious Peace Grows in a Ugandan Coffee Bean</em>. JEMGLO&#8217;s Director of Photography Curt Fissel was present to accept the award, which came with a $3,000 prize.</p>
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		<title>Call for entries 2012-2013 &#124; Film, video, multimedia</title>
		<link>http://videofest.org/call-for-entries-2012-2013-film-video-multimedia/</link>
		<comments>http://videofest.org/call-for-entries-2012-2013-film-video-multimedia/#comments</comments>
		<pubDate>Mon, 30 Jul 2012 01:53:15 +0000</pubDate>
		<dc:creator>Rchapa</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[multimedia]]></category>

		<guid isPermaLink="false">http://www.videofest.org/?p=1880</guid>
		<description><![CDATA[Please find below some information about our current call for entries for the next Rencontres Internationales Paris/Berlin/Madrid which will take place in Paris at Palais de Tokyo and Gaîté Lyrique in November 2012, and in Madrid and Berlin in 2013. By spreading out this information we would like to encourage artists, filmmakers and organizations to [...]]]></description>
			<content:encoded><![CDATA[<p><span style="font-family: Verdana,Arial,Helvetica,sans-serif; font-size: xx-small;">Please find below some information about our current call for entries for the next Rencontres Internationales Paris/Berlin/Madrid which will take place in Paris at Palais de Tokyo and Gaîté Lyrique in November 2012, and in Madrid and Berlin in 2013.<br />
By spreading out this information we would like to encourage artists, filmmakers and organizations to propose their work.<br />
More information is posted on our website: <a href="http://www.art-action.org" target="_blank">www.art-action.org</a><br />
Please spread out and forward this information as widely as possible.</p>
<p>Best wishes<br />
The Rencontres Internationales</p>
<p>IN ENGLISH: <a href="http://www.art-action.org/site/en/info/appel.htm" target="_blank">www.art-action.org/CALL</a><br />
EN FRANÇAIS: <a href="http://www.art-action.org/site/fr/info/appel.htm" target="_blank">www.art-action.org/APPEL</a><br />
EN ESPAÑOL: <a href="http://www.art-action.org/site/es/info/appel.htm" target="_blank">www.art-action.org/<wbr>CONVOCATORIA</wbr></a><br />
AUF DEUTSCH: <a href="http://www.art-action.org/site/de/info/appel.htm" target="_blank">www.art-action.org/AUFRUF</a></p>
<p></span> <span style="color: #999999; font-family: Verdana,Arial,Helvetica,sans-serif; font-size: xx-small;"> If this message doesn&#8217;t appear entirely: <a href="http://www.art-action.org/site/_news/12/madrid/en.htm" target="_blank"><span style="color: #999999;">click here</span></a><br />
Unsubscribe: <a href="mailto:info@art-action.org?subject=unsubscribe_info@videofest.org" target="_blank"><span style="color: #999999;">click here</span></a></p>
<p></span></p>
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<td width="36"><a href="http://www.facebook.com/rencontres.internationales" target="_blank"><img src="http://www.art-action.org/site/_news/12/call/images/facebook.jpg" alt="" width="36" height="38" border="0" /></a></td>
<td width="36"><a href="http://twitter.com/ripbm" target="_blank"><img src="http://www.art-action.org/site/_news/12/call/images/twitter.jpg" alt="" width="36" height="38" border="0" /></a></td>
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<div align="right"><span style="color: #333333; font-family: Verdana,Arial,Helvetica,sans-serif; font-size: xx-small;"><strong>ENGLISH</strong> / <a href="http://www.art-action.org/site/_news/12/call/fr.htm" target="_blank"><span style="color: #333333;">FRANÇAIS</span></a> / <a href="http://www.art-action.org/site/_news/12/call/de.htm" target="_blank"><span style="color: #333333;">DEUTSCH</span></a> / <a href="http://www.art-action.org/site/_news/12/call/es.htm" target="_blank"><span style="color: #333333;">CASTELLANO</span></a> </span></div>
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<td width="500"><span style="font-family: Verdana,Arial,Helvetica,sans-serif; font-size: xx-small;"><br />
<strong>THE CALL FOR ENTRIES IS OPEN UNTIL AUGUST 16, 2012</strong>, FOR THE RENCONTRES INTERNATIONALES WHICH WILL BE HELD IN PARIS IN NOVEMBER 2012 AT PALAIS DE TOKYO AND GAÎTÉ LYRIQUE, AND IN MADRID AND BERLIN IN 2013.</p>
<p>The event will feature an international programme focused on film, video and multimedia, gathering works of artists and filmmakers recognized on the international scene along with young artists and filmmakers shown for the first time.</p>
<p></span> <span style="font-family: Verdana,Arial,Helvetica,sans-serif; font-size: small;">FILM, VIDEO, MULTIMEDIA</span><span style="font-family: Verdana,Arial,Helvetica,sans-serif; font-size: xx-small;"><br />
<strong>ANY INDIVIDUAL OR ORGANIZATION</strong> can submit one or several works. The call for entries is open to film, video and multimedia works, without any restriction for length or genre. Any submission is free, regardless of geographical origin [<a href="http://www.art-action.org/site/en/info/appel.htm" target="_blank"><span style="color: #e13131;">read more &gt;&gt;&gt;</span></a>]</p>
<p><img src="http://www.art-action.org/site/_news/12/call/images/fleche.jpg" alt="arrow" width="18" height="10" />FILMS AND VIDEOS &#8211; any film and video format<br />
* Video / Experimental video<br />
* Fiction, exp. fiction / Short, middle and full length<br />
* Documentary, exp. documentary<br />
* Experimental film<br />
* Animation</p>
<p><img src="http://www.art-action.org/site/_news/12/call/images/fleche.jpg" alt="arrow" width="18" height="10" />MULTIMEDIA<br />
* Video installation, multimedia installation<br />
* Net art<br />
* Multimedia concert, multimedia performance</p>
<p></span><span style="font-family: Verdana,Arial,Helvetica,sans-serif; font-size: small;">TO ENTER A WORK</span><span style="font-family: Verdana,Arial,Helvetica,sans-serif; font-size: xx-small;"><br />
<strong>UNTIL AUGUST 16, 2012, CLICK HERE</strong> <a href="http://www.art-action.org/site/en/info/appel.htm" target="_blank"><span style="color: #e13131;">WWW.ART-ACTION.ORG/CALL</span></a><br />
You can choose between two types of registration:<br />
<img src="http://www.art-action.org/site/_news/12/call/images/fleche.jpg" alt="arrow" width="18" height="10" />Entry form to use with regular mail<br />
<img src="http://www.art-action.org/site/_news/12/call/images/fleche.jpg" alt="arrow" width="18" height="10" />100% online entry form, without postal sending</p>
<p>PLEASE FORWARD this information as much as possible to art and film organizations, art networks, production organizations, artists and filmmakers you are in contact with.</p>
<p>This event is a unique artistic and cultural platform in Europe for artists, professional networks and various audiences.<br />
The Rencontres Internationales offers more than just a simple presentation of works. It introduces an intercultural forum gathering various guests from all over the world &#8211; artists and filmmakers, institutions and emerging organizations &#8211; to testify of their reflections and their experiences, but also of artistic and cultural contexts that are often undergoing deep changes.<br />
The Rencontres Internationales reflects specificities and convergences of artistic practices between new cinema and contemporary art, explores emerging media art practices and their critical purposes, and makes possible a necessary time where points of view meet and are exchanged.<br />
The event aims at presenting works to a broad audience, at creating circulations between different art practices and between different audiences, as well as creating new exchanges between artists, filmmakers and professionals.<br />
It seeks to contribute to a reflection on our contemporary culture of image via a compelling program opened to everyone.</p>
<p>The Rencontres Internationales is a non-commercial event without competition, supported by French, German, Spanish and international institutions [<a href="http://www.art-action.org/site/en/soutien/" target="_blank"><span style="color: #e13131;">read more &gt;&gt;&gt;</span></a>]</p>
<p></span><span style="font-family: Verdana,Arial,Helvetica,sans-serif; font-size: xx-small;"><strong><img src="http://www.art-action.org/site/_news/12/call/images/fleche.jpg" alt="" width="18" height="10" />CONTACT </strong><br />
Web site: <a href="http://www.art-action.org/en_index.htm" target="_blank"><span style="color: #e13131;">www.art-action.org</span></a><br />
To contact us <a href="http://www.art-action.org/site/en/contact/index.htm" target="_blank"><span style="color: #e13131;">click here</span></a></span></td>
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		<title>UnionDocs&#8217; Macktez Summer Stipend</title>
		<link>http://videofest.org/uniondocs-macktez-summer-stipend/</link>
		<comments>http://videofest.org/uniondocs-macktez-summer-stipend/#comments</comments>
		<pubDate>Fri, 20 Jul 2012 22:18:17 +0000</pubDate>
		<dc:creator>Rchapa</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[documentary]]></category>

		<guid isPermaLink="false">http://www.videofest.org/?p=1810</guid>
		<description><![CDATA[The Macktez Summer Stipend is a grant for creative development. Each year UnionDocs reaches out to the many junior designers, interns, and other creative individuals they come across every day for whom a little extra cash could be the difference between a great idea and a great, finished project. The criteria is simple: originality, relevance, [...]]]></description>
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<p><img src="http://nalip.org/images/announcement/1342764663_union_docs.jpg" alt="" /></p>
<div>The Macktez Summer Stipend is a grant for creative development. Each year UnionDocs reaches out to the many junior designers, interns, and other creative individuals they come across every day for whom a little extra cash could be the difference between a great idea and a great, finished project. The criteria is simple: originality, relevance, and conviction, with a preference towards projects already underway that $1000 would push across the finish line. This year&#8217;s panelists include: David Israel, Roanne Adams, Douglas Morris, Dean Crutchfield, Bethany Koby Santiago Matheus, Jeffrey Zeldman. <strong>Apply online <a href="http://www.macktez.com/stipend/">here</a> by July 27th</strong>.</div>
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		<title>Popping Your Bubble: True Tales of the Digital Divide</title>
		<link>http://videofest.org/popping-your-bubble-true-tales-of-the-digital-divide/</link>
		<comments>http://videofest.org/popping-your-bubble-true-tales-of-the-digital-divide/#comments</comments>
		<pubDate>Sat, 14 Jul 2012 00:00:19 +0000</pubDate>
		<dc:creator>Rchapa</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[SXSW]]></category>
		<category><![CDATA[twitter]]></category>

		<guid isPermaLink="false">http://www.videofest.org/?p=1801</guid>
		<description><![CDATA[Popping Your Bubble: True Tales of the Digital Divide By Eric Martin It was at SXSW 2011 that someone tweeted about realizing that not all their clients had smartphones and tablets, followed by a telling hashtag: #beyondthebubble. This was followed by a tweet from our friends at Native Public Media, heralding the wonderful achievement of [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://namac.org/conference/bubble">Popping Your Bubble: True Tales of the Digital Divide</a><br />
By Eric Martin</p>
<p>It was at SXSW 2011 that someone tweeted about realizing that not all their clients had smartphones and tablets, followed by a telling hashtag: #beyondthebubble.</p>
<p>This was followed by a tweet from our friends at Native Public Media, heralding the wonderful achievement of reservation homes surpassing the 75 percent mark for landline phone penetration.</p>
<p>Seeing these two tweets back-to-back just showed how out of touch many of those in the SXSW bubble were with the rest of the country—especially rural and poor areas.</p>
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		<title>Bart Remembers Andrew Sarris</title>
		<link>http://videofest.org/bart-remembers-andrew-sarris/</link>
		<comments>http://videofest.org/bart-remembers-andrew-sarris/#comments</comments>
		<pubDate>Tue, 10 Jul 2012 23:46:22 +0000</pubDate>
		<dc:creator>Rchapa</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Andrew Sarris]]></category>
		<category><![CDATA[Pauline Kael]]></category>

		<guid isPermaLink="false">http://www.videofest.org/?p=1791</guid>
		<description><![CDATA[A few weeks ago Andrew Sarris passed away and I am sorry to take so long to get around to talking about it. Sarris was a teacher of mine when I went to Columbia University for my MFA in the late 70&#8242;s. One day in class Sarris said you should never see a film before [...]]]></description>
			<content:encoded><![CDATA[<div>A few weeks ago Andrew Sarris passed away and I am sorry to take so long to get around to talking about it. Sarris was a teacher of mine when I went to Columbia University for my MFA in the late 70&#8242;s. One day in class Sarris said you should never see a film before noon, because you have not come to terms with your dreams yet. I thought that sounded profound at the time; but really I cannot remember my dreams two minutes after I wake up, so I think we have both been using this as an excuse not to see films too early. Actually, it is important to pace my film watching. If I watch too many experimental films when its late in the day, I will fall asleep. But back to Sarris, in the U.S. he was the one who championed the auteur theory. That basically states that the author of a film is the director (screenwriters have never been okay with this).  Further, he would say you need to look at a body of work from a great director and you can see trends in themes, ways of using the camera, and other tools of cinema. We take this for granted now, but at the time it was important. Film criticism was also important then. Cinefiles would have long discussions not just about the films they were seeing but also about their writing. Don&#8217;t get me wrong, we have good film critics like Chris Vognar; but he didn&#8217;t get as much ink as Sarris did, but Sarris did not compete with a million film review websites.</div>
<div></div>
<div>Back when I was his student he was in the midst of a very public battle with Pauline Kael who wrote for the <em>New Yorker</em>. The battle was as entertaining as the films they wrote about. More than anything, Sarris championed directors he loved. Before I took his class I was not really interested in Preston Sturges, but after he showed us <em>Sullivan&#8217;s Travels</em> I could see the joy and art in the writing and directing in comedies I had dismissed. He also shared his love for <em>All About Eve</em>. His greatest gift was his joy in talking about <em>Sunrise</em> by F.W. Murnau, which showed recently at the Oak Cliff Film Fest (which I wrote about a few weeks ago).</div>
<div></div>
<div>Sarris alway seemed sickly. He seemed to have green mold under his eyes, as if he did not come out into the light very often.  Instead of a traditional briefcase or bag I remember Sarris carrying around our papers in a tennis bag, it just seemed strange, did he play inside? The lessons I learned from Sarris I have shared with both my students and you, my readers, over the years. While I have not read him in a long time, he had an impact on how I think about film. Perhaps I should go back and read his books again.</div>
<div></div>
<div>If this gets out before Tuesday night, come by the Studio Movie Grill in arlington at 7PM to see the work my students produced in their documentary workshop. I think you will enjoy them. Also, looking ahead, on July 18 the Angelika will be showing <em>Shut Up And Play The Hits</em> for one night. I will be doing a Q&amp;A for this, so come on by.</div>
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		<title>Good Message</title>
		<link>http://videofest.org/good-message/</link>
		<comments>http://videofest.org/good-message/#comments</comments>
		<pubDate>Fri, 29 Jun 2012 20:43:10 +0000</pubDate>
		<dc:creator>Rchapa</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Ed Burns]]></category>
		<category><![CDATA[Ted Hope]]></category>
		<category><![CDATA[vimeo]]></category>

		<guid isPermaLink="false">http://www.videofest.org/?p=1716</guid>
		<description><![CDATA[Failure FTW with Ted Hope and Ed Burns from Vimeo Festival + Awards on Vimeo.]]></description>
			<content:encoded><![CDATA[<p><iframe src="http://player.vimeo.com/video/43784966" frameborder="0" width="500" height="281"></iframe></p>
<p><a href="http://vimeo.com/43784966">Failure FTW with Ted Hope and Ed Burns</a> from <a href="http://vimeo.com/vimeofestival">Vimeo Festival + Awards</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
]]></content:encoded>
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		<title>TXMPA Annual meeting and Mixer July 7th</title>
		<link>http://videofest.org/txmpa-annual-meeting-and-mixer-july-7th/</link>
		<comments>http://videofest.org/txmpa-annual-meeting-and-mixer-july-7th/#comments</comments>
		<pubDate>Wed, 27 Jun 2012 19:14:37 +0000</pubDate>
		<dc:creator>Rchapa</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[omni]]></category>
		<category><![CDATA[SAF-AFTRA]]></category>
		<category><![CDATA[SAG]]></category>

		<guid isPermaLink="false">http://www.videofest.org/?p=1690</guid>
		<description><![CDATA[TXMPA = JOBS! State incentives are reaping the work and TXMPA is working to increase Texas incentives. &#160; Join industry members at the TXMPA Annual Meeting, Saturday, July 7th 1pm-3pm.  Then kick off your industry shoes and join SAG-AFTRA members as we host the TXMPA Luau &#38; Mixer from 6-10pm.  All activities will be held [...]]]></description>
			<content:encoded><![CDATA[<p>TXMPA = JOBS!</p>
<p>State incentives are reaping the work and TXMPA is working to increase Texas incentives.</p>
<p>&nbsp;</p>
<p>Join industry members at the <a href="http://www.txmpa.org/" target="_blank">TXMPA Annual Meeting</a>, Saturday, July 7<sup>th</sup> 1pm-3pm.  Then kick off your industry shoes and join SAG-AFTRA members as we host the <a href="http://www.txmpa.org/index.php?option=com_civicrm&amp;Itemid=196" target="_blank">TXMPA Luau &amp; Mixer from 6-10pm.</a>  All activities will be held at the Omni Southpark Hotel.</p>
<p>&nbsp;</p>
<p>TXMPA announces its most aggressive legislative plan in five years, introduces new partnerships to strengthen our effectiveness and confirms the new TXMPA Board of Directors.</p>
<p><strong>Hotel:</strong> A TXMPA block of rooms at the <a href="http://www.omnihotels.com/findahotel/austinsouthpark.aspx" target="_blank"> Omni Southpark</a> for July 3-8 is now available for $99/night.  Call <a href="tel:%28800%29%20843-6664" target="_blank">(800) 843-6664</a> and ask for the TMPA room block rate or go online at <a href="https://ssl.omnihotels.com/Omni?Perseus_state=clear&amp;lang_code=en-us&amp;prop=AUSSTH&amp;group_code=11800806881" target="_blank"> Omni Southpark</a>.</p>
<p>&nbsp;</p>
<p>Omni Southpark Hotel</p>
<p>4141 Governors Row</p>
<p>Austin, TX</p>
<p>&nbsp;</p>
<p>For more information, contact <a href="mailto:info@txmpa.org" target="_blank">info@txmpa.org</a>.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
]]></content:encoded>
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		<title>Bart&#8217;s thoughts on Prometheus and Tne Newsroom</title>
		<link>http://videofest.org/barts-thoughts-on-prometheus-and-tne-newsroom/</link>
		<comments>http://videofest.org/barts-thoughts-on-prometheus-and-tne-newsroom/#comments</comments>
		<pubDate>Wed, 27 Jun 2012 17:50:01 +0000</pubDate>
		<dc:creator>Rchapa</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Aaron Sorkin]]></category>
		<category><![CDATA[Allen Mondell']]></category>
		<category><![CDATA[Asian Film Festival of Dallas]]></category>
		<category><![CDATA[Bart Weiss]]></category>
		<category><![CDATA[Prometheus]]></category>
		<category><![CDATA[Ridley Scott]]></category>
		<category><![CDATA[VideoFest 25]]></category>

		<guid isPermaLink="false">http://www.videofest.org/?p=1684</guid>
		<description><![CDATA[I have been watching a lot of videos here; some very inspiring, some not so much. Last week I saw a screening of Allen Mondell&#8217;s latest film about the Peace Corps and how it has transformed many lives. The film is powerful and moving, with lots of great stories.  Knowing Allen, this film gives us [...]]]></description>
			<content:encoded><![CDATA[<div>I have been watching a lot of videos here; some very inspiring, some not so much. Last week I saw a screening of Allen Mondell&#8217;s latest film about the Peace Corps and how it has transformed many lives. The film is powerful and moving, with lots of great stories.  Knowing Allen, this film gives us a bit of insight on what makes Allen tick and motivation behind his work over the years. I also went to see <em>Prometheus</em> in IMAX at Northpark.  I think the management there thinks we&#8217;re all deaf (perhaps from being there too much), because the volume was cranked to eleven.  Then there was the film; it was really depressing. The difference between seeing heartfelt work  sent to us from all over the globe made by small crews and this CGI construction of a film with loud explosions and very little engaging story was striking. While the volume was over the top, the picture seemed to be nothing but expensive noise &#8211; seemingly made just because they could. Spending bucket-loads of cash and lots of creative energy, for what?  I was really saddened for where we are in cinema now. I mean Ridley Scott is not a hack but this film, it looks like his heart was not into this.  I know there are good films out there; so folks, just stay away from this one.</div>
<div></div>
<div>And if you are at home, you may want to watch <em>The Newsroom</em>, which premiered Sunday night (when I am writing this, so I literally just watched it). Those of you who have been around me for a while will know I am all about how media affects us.  I am forever upset at the political imbalance and idiocy of talk radio (and forever hoping for a program director with guts to do something to heal and grow the city and country instead of growing the hate). From this same mindset comes <em>The Newsroom</em>, the new HBO show by Aaron Sorkin of <em>West Wing, Studio 60, The Social Network</em>, etc. In <em>West Wing</em> he gave us a president to believe in and a presidential staff fighting the good fight. He gave us the fantasy that the people in power were good. So now we have <em>The Newsroom</em> and in the first episode we get a rant right at the beginning (there is always a great self-righteous rant in a Sorkinville) from this TV anchor about how the U.S. is not the greatest country on Earth. It starts with the fact that there are many countries that have freedom and then goes on to list all the ways we are not number one, like infant mortality; then notes we are number one in percentage of people who believe in Angels, number one in incarcerating and in defense spending. Then he goes on to rant about how it was not always this way and ends with talking about a time when TV news was presented with men of dignity. Yeah, someone in the media saying that the screaming, unbalanced mess coming from news is the cause of our downfall. So do I think this show will shame network execs into changing their way? No, but just as the rant ends , you need to understand there is a problem before it can be fixed. Perhaps Sorkin is paving the way for a new kind of news, a news that inspires us, a news that has dignity, and that elevates. Until then, we have the Dallas VideoFest coming September 27-30 at the DMA (mark it on your calendars now). No visual noise!</div>
<div></div>
<div>Also, while you have your calendar apps open, the 11th Annual Asian Film Festival of Dallas is July 12-19th. You can always find a great mix of cinema, real cinema, animated cinema, anime, and fun at this event. Just go!</div>
<div></div>
<div>So have a great week all - stay inside and get inspired by a good film (or tv show).</div>
<p>&nbsp;</p>
<div>Bart<br />
Artistic Director</div>
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		<title>Morehshin Allahyari Media Pick</title>
		<link>http://videofest.org/morehshin-allahyari-media-pick/</link>
		<comments>http://videofest.org/morehshin-allahyari-media-pick/#comments</comments>
		<pubDate>Wed, 27 Jun 2012 15:54:26 +0000</pubDate>
		<dc:creator>Rchapa</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Iran]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[Morehshin Allahyari]]></category>
		<category><![CDATA[youtube]]></category>

		<guid isPermaLink="false">http://www.videofest.org/?p=1680</guid>
		<description><![CDATA[The Romantic Self-Exiles explores relationships between self and home. It presents the life of those who live in-between, those who choose self-exile over a home in which they are not tolerated or welcome; and questions the romanticized aspect of such experiences by the self-exiled citizens. &#8220;Morehshin Allahyari is a new media artist and an art [...]]]></description>
			<content:encoded><![CDATA[<p>The Romantic Self-Exiles explores relationships between self and home. It presents the life of those who live in-between, those who choose self-exile over a home in which they are not tolerated or welcome; and questions the romanticized aspect of such experiences by the self-exiled citizens.</p>
<p>&#8220;Morehshin Allahyari is a new media artist and an art activist. She was  born and raised in Iran and moved to the United States in 2007. Her  creative and research interest encompasses 3D animation, digital  filmmaking, web-art / design, performance and extensive activity as a  curator and producer. The topics of her practice include the social, political and cultural issues of Iran, creative writing, art activism, media art, and collaborative art. Morehshin’s animated films and curatorial projects have received world wide acclaim. She has been part of exhibitions, festivals, and conferences in Tehran, Denver, Dallas  (Dallas Biennale + oliver Francis Gallery), Chicago, New York, Germany (The 7th Berlin International Directors Lounge (Berlin) + 25th European<br />
Media Art Festival (Osnabrück), Virginia (The Taubman Museum of Art),  San Francisco, Denton (University of North Texas), Portland, Ohio, Brazil, Sweden, Romania (Arad art Museum), Netherlands, and Canada.&#8221;</p>
<p>What Media is Morehshin consuming?</p>
<p>&#8220;You might have heard of this Iranian film called &#8220;This is Not a Film&#8221;&#8230; I was just watching it and thought you probably will really like it. The full thing is on <a href="http://www.youtube.com/watch?v=XdVSTC75s8w">youtube:</a></p>
<p>Panahi is baned to make any movie for 20 years in Iran or leave the country. That&#8217;s why this movie is called &#8220;This is not a Film&#8221;, and it&#8217;s about censorship, etc&#8221;</p>
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		<title>VideoFest 25&#8242;s 1st Doc Feature  profile Is &#8220;The Mayor&#8221;</title>
		<link>http://videofest.org/videofest-25s-1st-doc-feature-profile-is-the-mayor/</link>
		<comments>http://videofest.org/videofest-25s-1st-doc-feature-profile-is-the-mayor/#comments</comments>
		<pubDate>Mon, 25 Jun 2012 13:37:16 +0000</pubDate>
		<dc:creator>Rchapa</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Dallas]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[Jared Scheib]]></category>
		<category><![CDATA[the Mayor]]></category>

		<guid isPermaLink="false">http://www.videofest.org/?p=1670</guid>
		<description><![CDATA[We here at VideoFest are proud to announce that the first feature length documentary selected for VideoFest 25 is &#8220;The Mayor.&#8221;  It is the story of love, companionship, and sex in the golden years of life.  As it weaves between the stories of its retirement community subjects, the film ponders the importance of finding connection [...]]]></description>
			<content:encoded><![CDATA[<p>We here at VideoFest are proud to announce that the first feature length documentary selected for VideoFest 25 is &#8220;<a href="http://themayormovie.com/?utm_source=The+Mayor+Movie+Newsletter&amp;utm_campaign=696b4956c2-The_Mayor_Movie_Newsletter_06_11_2012&amp;utm_medium=email">The Mayor</a>.&#8221;  It is the story of love, companionship, and sex in the golden years of life.  As it weaves between the stories of its retirement community subjects, the film ponders the importance of finding connection and understanding with the people we love.  The documentary was shot in Dallas and is directed by Jared Scheib, a Dallas-born filmmaker.<br />
<iframe width="560" height="315" src="http://www.youtube.com/embed/ypJanYUWEaw" frameborder="0" allowfullscreen></iframe></p>
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		<title>A Neighborly Dinner</title>
		<link>http://videofest.org/a-neighborly-dinner/</link>
		<comments>http://videofest.org/a-neighborly-dinner/#comments</comments>
		<pubDate>Sun, 24 Jun 2012 18:38:38 +0000</pubDate>
		<dc:creator>Rchapa</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Arlington]]></category>
		<category><![CDATA[Kight Haberer]]></category>
		<category><![CDATA[Sho]]></category>
		<category><![CDATA[Texas Show]]></category>

		<guid isPermaLink="false">http://www.videofest.org/?p=1654</guid>
		<description><![CDATA[A Neighborly Dinner Here is a short film that captures the moment in a relationship when all communication has broken down; when neither partner wants to talk civilly for fear of having to admit they themselves have screwed up. Kight Haberer interrupts this moment with a neighbor who is acting anything other than neighborly. The [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.imdb.com/title/tt2231063/">A Neighborly Dinner</a></p>
<p>Here is a short film that captures the moment in a relationship when all communication has broken down; when neither partner wants to talk civilly for fear of having to admit they themselves have screwed up. Kight Haberer interrupts this moment with a neighbor who is acting anything other than neighborly. The film hilariously captures a couple trying to rediscover what they liked about each other in the first place.</p>
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		<title>Mentiroso</title>
		<link>http://videofest.org/mentiroso/</link>
		<comments>http://videofest.org/mentiroso/#comments</comments>
		<pubDate>Sun, 24 Jun 2012 18:37:38 +0000</pubDate>
		<dc:creator>Rchapa</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[San Antonio]]></category>
		<category><![CDATA[Short Film]]></category>
		<category><![CDATA[Texas Show]]></category>

		<guid isPermaLink="false">http://www.videofest.org/?p=1651</guid>
		<description><![CDATA[Mentiroso Texas Show Official Selection Will Shipley tells the short tale of a boy, Mauricio, who must decide if he prides his heart or his face more. Mauricio enjoys telling his share of lies; but he finds himself in a difficult situation when someone demands he prove one of them true. Now he must wrestle [...]]]></description>
			<content:encoded><![CDATA[<p>Mentiroso</p>
<p>Texas Show Official Selection</p>
<p>Will Shipley tells the short tale of a boy, Mauricio, who must decide if he prides his heart or his face more. Mauricio enjoys telling his share of lies; but he finds himself in a difficult situation when someone demands he prove one of them true. Now he must wrestle with his own image of who he is and what he wants to stand for. Mentiroso finds ways to undercut your narrative expectations at every turn.</p>
<p><iframe src="http://player.vimeo.com/video/37924635?title=0&amp;byline=0&amp;portrait=0&amp;color=ffffff" frameborder="0" width="500" height="281"></iframe></p>
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		<title>Hellion</title>
		<link>http://videofest.org/hellion/</link>
		<comments>http://videofest.org/hellion/#comments</comments>
		<pubDate>Sun, 24 Jun 2012 18:36:31 +0000</pubDate>
		<dc:creator>Rchapa</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Austin]]></category>
		<category><![CDATA[Kat Chandler]]></category>
		<category><![CDATA[shorts]]></category>
		<category><![CDATA[Texas Show]]></category>

		<guid isPermaLink="false">http://www.videofest.org/?p=1648</guid>
		<description><![CDATA[Hellion Kat Candler’s fiery short film captures a wide spectrum of childhood emotion through the eyes of its central character – Petey. Petey is the youngest of three boys in his family and he must survive his older brothers’ slash and burn approach to the world. These older boys are rebellious in a way that [...]]]></description>
			<content:encoded><![CDATA[<p>Hellion</p>
<p>Kat Candler’s fiery short film captures a wide spectrum of childhood emotion through the eyes of its central character – Petey. Petey is the youngest of three boys in his family and he must survive his older brothers’ slash and burn approach to the world. These older boys are rebellious in a way that is both terrifying and intriguing to Petey; and he must decide if he wishes to become a just like them or remain the sweet innocent child in the eyes of his father.<br />
<iframe src="http://www.youtube.com/embed/NTbgNOs1VDI" frameborder="0" width="560" height="315"></iframe></p>
]]></content:encoded>
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